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CHURCH WALL PAINTINGS AND MOSAICS: PRINCIPLES OF THEIR ARRANGEMENT AND RELATIONSHIP TO ARCHITECTURE by Aidan Hart

A seminar given in 2003 in London, this shows how wall paintings, as with all genuine sacred art, forms part of a seamless liturgical whole, particularly in this case with the church’s architecture. It shows how different parts of a traditional church are ideally suited for particular scenes and personages.
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