LINKS

FULL-TIME AND PART-TIME COURSES IN ICONOGRAPHY AND RELATED LITURGICAL ARTS

• Three year part-time Certificate in Icon Painting, run by The Prince’s Foundation School of Traditional Arts, London. This is currently taught by Aidan Hart in Shrewsbury, Shropshire, U.K.. Lessons are three whole days a month, seven months each year. For further information click here. To be informed when applications open (early 2022), please email Aidan Hart at mail@aidanharticons.com.
• Liturgical Icons. EastXWest Online Icon Course: Sister Theovouli, an Orthodox nun from the U.K., runs an online course, designed not just for budding iconographers but also for ‘priests, church architects, catechists and art teachers, and to all those for whom art is part of their spiritual journey’. www.exw-onlineiconcourse.org
  
  

WEBSITES OF OTHER CENTRES OFFERING OR ADVERTISING SHORT COURSES

United Kingdom:

• Five-day courses run by Aidan Hart. Run in May and September. See the ‘Courses’ page on this website,
• The British Association of Iconographers, www.bai.org.uk They run a journal and a website, which includes details of all current icon courses in the UK.
• The Prince’s Foundation School of Traditional Arts. The school sporadically runs five-day courses in a range of arts related to iconography, such as gilding, illumination and calligraphy. https://princes-foundation.org/school-of-traditional-arts/open-programme

North America  

• www.sacredmurals.com Based in Russia, but they also run courses in the USA.
• www.hexaemeron.org Often run courses taught by Xenia Pokrovsky.
• www.perichorese-icones.org Based in Canada.

France:

• www.atelier-st-andre.net Founded by Fr. Egon Sendler, it is a Roman Catholic icon studio, which sometimes runs courses in France.
• www.atelierdamascene.fr Atelier Saint Jean Damascène, La Prade 26190, Saint Jean en Royans, France. Tel : 04 75 47 55 87

Italy:

• MOSAIC ART SCHOOL – Ravenna, Italy   This established school runs excellent five-day courses on mosaic technique in Ravenna, their techniques based on those used in the many famous Byzantine mosaics found in that city.

Advertisers of international courses:

• www.iconofile.com

PRAYER ROPES

London based iconographer Christabel Anderson produces these beautiful hand made prayer ropes. If you are interested in purchasing a prayer rope please contact Christabel at christabel@christabel.cc. Examples of her other work, including illuminated miniature paintings and cloisonné, can be seen on her website, christabelanderson.com.

WEBSITES OF SOME CONTEMPORARY ICONOGRAPHERS

There are of course many iconographers with websites, so the following are just a selection of the sites that I particularly respect or have found useful:

• www.sacredmurals.com Philip Davydov and Olga Shalamova
• www.gsinai.com Father Patrick (Doulan), USA
• www.orthodox-icon.com A Ukrainian wall painter and panel painter working in the USA. An expert in silica painting on walls.
• www.eliasicons.co.uk Ian Knowles, U.K./Middle East.
• www.byzarticon.gr Maria Sigalas-Spanopoulos and_Nikolas Spanopoulos

USEFUL ICON REFERENCE WEBSITES

• www.iconofile.com
• www.icon-art.info A Russian based site with a wealth of text and image material.
• ww.eikastikon.gr/xristianika/ For contemporary Greek and old Byzantine iconography.
• www.zeroland.co.nz An extensive art resource site, with many links in their iconography section.

ICON RELATED BOOKS

Theology and history of the icon:

• ‘TECHNIQUES OF ICON AND WALL PAINTING: egg tempera, fresco, secco’ by Aidan Hart. The most comprehensive book to date on the techniques of icon and wall painting. 460 pages. Over 450 colour illustrations and 160 drawings. 227mm x 278mm. Hard cover, £40.
• Baggley, John. Festival Icons for the Christian Year. London: Mowbray, 2000. Very good at linking the icons to the Orthodox liturgical texts of the relevant feasts.
• Cavarnos, Constantine. Byzantine Thought and Art. Boston, Institute for Byzantine and Modern Greek Studies, 1974. Also by the same author and publisher:
  – Fine Arts and Tradition: A presentation of Kontoglou’s teaching . Boston, Institute for Byzantine and Modern Greek Studies, 2004
  – Byzantine Sacred Art. Boston, Institute for Byzantine and Modern Greek Studies, 1985
  – Orthodox Iconography. Boston, Institute for Byzantine and Modern Greek Studies, 1977
  – Meetings with Kontoglou. Boston, Institute for Byzantine and Modern Greek Studies,1992.
• Evdokimov, Paul. The Art of the Icon: a theology of beauty. Oakwood, St Vladimir’s Seminary Press, 1990. A very penetrating and broad analysis of icons, beauty and art.
• Florensky, Pavel. Iconostasis. Oakwood, St Vladimir’s Seminary Press, 1996. A philosophical and highly original inquiry by a great polymath and priest, looking not just at the icon but at art in general.
• Forest, Jim. Praying with Icons. Orbis Books, 1997. A good introduction, by a well known Orthodox writer and speaker.
• John of Damascus (Saint).Three Treatises on the Divine Images. Trans. by Andrew Louth. St. Vladimir’s Seminary Press; 2003. Seminal texts by the main defender of icons against the iconoclasts (eighth century).
• Mathew, Gervase. Byzantine Aesthetics. London: John Murray,1965. An excellent guide to the philosophy behind Byzantine aesthetics.
• Ouspensky, Leonid. The Meaning of Icons. Oakwood: St Vladimir’s Seminary Press, 1982. A classic work, this covers the main icon types, including the major feasts.
• Ouspensky, Leonid. Theology of the Icon (Two volumes). Oakwood, St Vladimir’s Seminary Press, 1992. Primarily an historical account of icons.
• Sendler, Egon, The Icon: Image of the Invisible. California: Oakwood Publications, 1988. An excellent introduction to the theology, style, history, and technique on icon painting. Out of print but due to be reprinted.
• Tradigo, Alfredo. Icons and Saints of the Eastern Orthodox Church (A Guide to Imagery). An excellent guide to the main icon types, both of saints and feasts. Well illustrated and succint.
• Theodore the Studite (Saint). On the Holy Icons. St Vladimir’s Seminary Press, 2003. Like St John of Damascus; work, a seminal primary text in defense of icons, written in the early ninth century.
• Wood, Archimandrite Zacchaeus (ed.). A History of Icon Painting. Moscow, Grand-Holding Publishers and U.K: Orthodox Christian Books Ltd., 2005 (Russian edition in 2002). An excellent work that covers the history, theology and some technique of icon painting.

Technical works related to egg tempera painting:

• ‘TECHNIQUES OF ICON AND WALL PAINTING: egg tempera, fresco, secco’ by Aidan Hart.. The most comprehensive book to date on the techniques of icon and wall painting. 460 pages. Over 450 colour illustrations and over 160 drawings. 227mm x 278mm. Hard cover, £40.
• Bomford et al. Italian Painting before 1400. London: National Gallery, 2002. The catalogue of an exhibition which described the findings from scientific analysis concerning how these western European medieval paintings were created. Many of the materials and techniques would have been the same as used in icons.
• Cennini, Cennino d’Andrea. The Craftsman’s Handbook (translated by Daniel Thompson). New York: Dover, 1960. Although not describing icon techniques as such, Cennini does describe many traditional techniques and materials doubtless used by iconographers.
• Dionysius of Fourna. The Painter’s Manual of Dionysius of Fourna (translated by Paul Hetherington). London: Sagittarius Press, 1981. The most thorough of the manuals describing Greek icon and wall painting techniques. Written on Mount Athos 1730-1734.
• Gottsegen, Mark David. The Painter’s Handbook. New York: Watson-Guptill, 2006. One of the best technical art books around, more up to date than the classic works by Mayer and Doerner. Highly recommended.
• Mactaggart, Peter and Ann. Practical Gilding. Herts., England: Mac and Me Ltd., 1985. Small, but one of the best books on gilding techniques.
• Mayer, Ralph. The Artist’s Handbook of Materials and Techniques. Faber and Faber, 1982. A classic. Much material superseded by Gottsegen, but still full of good information.
• Ramos-Poqui, Guillem. The Technique of Icon Painting. Kent: Search Press Ltd. and Burnes and Oates,1990. A clear exposition of the author’s techniques. Out of print.
• Sendler, Egon, S.J. The Icon, Image of the Invisible. California: Oakwood, 1988. An excellent introduction to the theology, style, history, and technique on icon painting. In much greater depth than most. Unusual in that it combines chapters on technique, theology and hisotry. Out of print but am told that it is due to be reprinted.
• Theophilus. On Divers Arts. New York: Dover, 1979 (translated with notes by John G. Hawthorne, and Cyril Stanley Smith). An early twelfth century work, describing various art techniques including the Byzantine membrane technique of egg tempera.
• Thompson, Daniel V. , Jr. The Practice of Tempera Painting. New York, Dover Publ., 1962. A detailed account of painting techniques, gessoing, and gilding.
• Tsekoura, Lito (Editor). The Hidden Beauty of Icons. Athens: Ministry of Culture – 10th Ephorate of Byzantine Antiquities, 2004. A detailed scientific analysis of old icons. The Greek Orthodox Convent of Ormilia, Greece, has an extensive labarotory dedicated to analysing icons using state of the art equipment. They do invaluable work in revealing what pigments and layering systems were used to make the icons they study. There are surprising results.

Technical and historical works related to fresco, lime plaster, secco:

• Dionysius of Fourna. The Painter’s Manual of Dionysius of Fourna (translated by Paul Hetherington). London: Sagittarius Press, 1981. The most thorough of the old manuals describing Greek icon and wall painting techniques. Written on Mount Athos 730-1734.
• Vitruvius, The Ten Books on Architecture (translated by Morris Hicky Morgan). NY: Dover, 1960. Written by the Roman architect in the first century B.C. Book VII contains much of interest on plastering techniques.
• Winfield, David C. Byzantine Wall Painting Methods. A detailed analysis, largely based on the author’s extensive restoration and conservation of Byzantine wall paintings. Very difficult to find.

On the relationship of the icon with the arts:

• Bychkov, Victor, The Aesthetic face of Being: Art in the Theology of Pavel Florensky. Crestwood, New York: St Vladimir’s Seminary Press, 1993.
• Cavarnos, Constantine. Byzantine Thought and Art, Belmont, Mass, USA: Institute for Byzantine and Modern Greek Studies, 1980.
• Cavarnos, Constantine. Fine Arts and Tradition, Belmont, Mass, USA: Institute for Byzantine and Modern Greek Studies, 2004.
• Evdokimov, Paul, The Art of the Icon: a theology of beauty. Oakwood, St Vladimir’s Seminary Press, 1990. A very penetrating and broad analysis of icons, beauty and art. More affirmative of non- iconographic art than Leonid Ouspensky’s works.
• Florensky, Pavel, Iconostasis,. Crestwood, New York: St Vladimir’s Seminary Press, 1996. A seminal work that helped restore traditional iconography in Russia in the early 20th century.
• Hart, Aidan. www.aidanharticons.com. On the articles page there are various articles on the icon, art and the Orthodox spirituality.
• Louth, Andrew. “Orthodoxy and Art,” in Walker. A et al (editors) Living Orthodoxy in the Modern World, London, SPCK, 1996. Pages 159-177. One

Orthodox response to the phenomenon of western art:

• Michelis, P. A. , An Aesthetic Approach to Byzantine Art. Dufour Editions, USA (also Batsford UK), 1955. A classic work that interprates art history using the category of the sublime and not just beauty.
• Michelis, P.A. . Aisthetikos: Essays in Art, Architecture and Aesthetics. Wayne State University, 1977. A refreshing series of essays in which the author, an estabished academic of aesthetics, considers aspects of 20th century art and architecture from a more spiritual vantage than most art scholars.
• Rexine, John E., An Explorer of Realms of Art, Life, and Thought. Belmont, Mass, USA: Institute for Byzantine and Modern Greek Studies, 1985.
• Sherrard, Philip, The Sacred in Life and Art. Ipswich, UK, Gorgonzola Press, 1990. An Orthodox thinker who attempts a spirtual analysis of the predicament of western art.

Useful books for quality large illustrations of icons:

• “Hellenic Terni” series. Athens: Eidetic Athenian, 1994-1995. In Greek and also English. Difficult to find, but excellent for large reproductions and details:
  – Axiemastou-Potamianou, Myrtali. Byzantine Wall Paintings. 1994
  – Vokotopoulos, Panagiotis. Byzantine Icons, 1995
  – Galavaris, George. Byzantine Manuscript Illuminations, 1995
  – Xatzidaki, Nano. Byzantine Mosaics, 1994